TRANSCENDANCE THROUGH ENTERTAINMENT

“One of the most basic human experiences, one that is genuinely universal and unites, or could unite all of humanity, is the experience of transcendence.”

Václav Havel, ex President Czech Republic

Our obsession throughout the ages has been to alter our state of mind, to enter into a different vibratory state. Through drinking, dancing, sex, drugs, music and spiritual practices, humanity has always strived to touch a deeper, more blissful experience, where there are no inhibitions, where we feel free. When we are like this, we can naturally delight and inspire others :people pick up on this contagious freedom and enjoy it, as it reminds them of who they are and want to be.

This state of mind is when the imagination is released. Any event that frees the imagination is worth participating in. When an event of mind blowing beauty and power occurs, the mind feels it no longer has to hold onto its version of reality. It agrees to allow another version of reality to happen. At rock concerts, at rallies, in group meditations, all those present participate in creating an energy field.

This sense of being transported can occur through immersive VR and multimedia experiences today, if we harness the technology to do so. All the technology and means to do that are here already — it is just that no one has utilised it creatively and with intention and knowledge to create transcendent experiences.

As Stephen Spielberg said, “We’re never going to be totally immersive as long as we’re looking at a square, whether it’s a movie screen or whether it’s a computer screen. We’ve got to get rid of that and put the player inside the experience, where no matter where you look you’re surrounded by a three-dimensional experience. That’s the future.”

One example of how we can do this is through visual music. When what we hear scientifically matches what we see, then music literally becomes visual. As hearing and seeing are our two strongest stimuli, when both entrain and synchronize together the mind expands. These sonic pictures, where a picture is worth a thousand words, are not static 2D or even 3D canvases. They are moving, pulsing, breathing waves of colour, sound, light and spiraling motion, just like we are. This is Dimensional Art — Art which changes our perceptions of time and space.

Theme parks are now using 4D entertainment with 3D visuals and surround sound allied with tactile sensations, like vibrating chairs, smells, and sensations such as water and air nozzles in the seat to correspond with the visuals on the screen and the speakers. In 5D entertainment the extra dimension arises in the calibrated merging of all the elements involved using sound and science together.

5D entertainment changes our perceptions of time and space, creating experiences to free your imagination and open your heart. What was 2 hours become 2 minutes, what seemed to be a room becomes as vast as a planet. As our perceptions shift, people become more wondrous, joyous and open. We feel interconnected, part of the whole group.

Sonic pictures have the capacity to transmit and store more information than any other media in a shorter space of time. We can literally get downloaded with Gigabytes of information through every sense organ, and because all these streams are synchronized it results in the audience becoming immersed into and transported by the experience. Feelings of wellbeing, wonderment and beauty characterise 5D entertainment experiences.

With new technology, science, vibrational art and psychoacoustic sound artistry we can create new edutainment experiences, fully immersive journeys into wondrous states where body, mind and nervous system unite in feasts of moving colour, light and sound.

The promise of these experiences of transcendence are not anything new. We have done it before! From Greek psycho pomp theatre to Tibetan ritual performance, Egyptian acoustic technology to Celtic chambers, all cultures have strived to transcend their ordinary states of consciousness through group consciousness experiences. One reason this works is because the brain contains electrical frequencies that also occur in the differing energy fields of the planet itself.[1]

This connection enables us to call the Earth “Mother” for the strands of vibration that interweave us (and animal life at 10Hz) are like umbilical cords, with “every creature hooked up to the Earth electromagnetically through its DC system.”[2] The DC system is powered by the hara or womb– the seat of birth and umbilical cord.

When we are connected to our hara and womb, we can successfully enact ceremonies of connection and resonance in sacred sites with specific frequencies and sounds in order to initiate a biospheric wave, whereby all participants enter a unified consciousness. This was practiced at many sacred sites and resonant architectures/ temples worldwide, including Stonehenge, The Great Pyramid at Giza, New Grange and the perpetual song choirs of Glastonbury and Wales, amongst many others.

It is hard for individuals to access a unity consciousness by themselves, as to do this takes a deep dedication to the expansion of ones consciousness daily, as well as wisdom, maturity and good guidance. However, as a group consciousness we can access this, as our ancestors did. In a group consciousness united, we become more than the sum of the parts, when two or more gather in the same intention and focus. When that focus uses the technology of vibration to resonate and connect to each other and the structures of life, we enter a Unity Frequency.

Our ancestors used this organic technology within us to maintain a living link between them, the Earth and the Cosmos. This information never needed to be written down, as it was literally downloaded into them in these rituals, encoded on a deep level. The only way to access this experience is to do the sonic ritual, and then the doors of perception open.[3] I have experienced this with groups hundreds of times in sacred sites across the world, in Peru, Egypt, India, England, Australia, New Zealand, France, Hawaii and more.

Chanting specific patterns of sound connects us with the waves emanating through the noosphere, resonating and bringing these wave from the noosphere into the biosphere, bridging them onto earth. The Perpetual Choirs of England, the Aboriginal Songlines and the constant chanting of the Vedas in India for thousands of years have all demonstrated this for much longer than our current uses of technology.

[1] Elkingtons “In the name of the Gods.”

[2] D Elkington “In the Name of the Gods.”

padma-aon-prakasha author

Padma Aon is a wisdom author, vibrational media creator, visionary pioneer and public speaker bringing together ancient wisdom and modern science. Padma’s books, music and multimedia are drawn from the traditions he has been initiated into.

They include: The Power of ShaktiWomb WisdomSacred Relationships (Inner Traditions), The Christ BlueprintThe Nine Eyes of Light: Ascension Keys from Egypt (NAB/Random House), Dimensions of Love (O Books). Since 1997 he has presented, lectured and taught in 20 countries worldwide.

Padma is a master of vibrational medicine through sound, translating the art and science of vibration to create moving and alchemical immersions. A globally distributed music producer, Padma performs worldwide, with two albums for Sub Rosa/BMG: Rhythmic Intelligence and Song of Light whilst Resident DJ at Talvin Singhs groundbreaking Indian music fusion night Anokha at the legendary Bluenote Club, Hoxton. 

The Album Life Cycles accompanies the book Womb Wisdom, voted one of the top 30 spiritual books you must read. The Souls Birth with Dr Alex Theory and Kristin Hoffman merges the science of psycho-acoustic frequencies for pregnancy and birth with Nada Yoga in Sanskrit and Hebrew. 

His TV work involved co-discovering the first mummified Tibetan Lama for ‘Mystery of the Tibetan Mummy,’ (Discovery Channel 01), and narrating Peabody Winner Stephen Olssen’s documentary ‘Sounds of the Soul’ about the Fez Festival of World Sacred Music, which showed at Cannes and SunDance.

As a multi-media producer he created original music and visual content based on global sacred sites for the Moscow Youth Olympics, and the ‘ONE Project’, which played in theatres and festivals in UK, USA and New Zealand. He is currently creating music and audio content for a revolutionary Meditation App. 

Padma creates from the fruits of his many travels and direct experience in many worlds, East and West. Padma supports the environment by leading large groups on carefully curated Transformational Journeys to culturally significant and sacred sites around the world in 15 countries over 20 years on 5 continents.  He has appeared on BBC Radio One, The Times of India, Variety Magazine, Spirit&Destiny, Kindred Spirit, Dreamland Radio, XLR8R and Straight No Chaser amongst many others.

PEOPLE ARE MUSIC

Each of you is a symphony, a collection of notes playing together in harmony. Some people know their music, and can play it clearly and dynamically. These people know themselves well and know their song, they have many notes to play with. When you are in your own song, it is easier to connect with others, as they can find and share resonant sympathetic chords with our own music.

Other people are complex, deep, and unable to understand immediately as they share different chord structures to our own. These are people you might have to spend some time with before you can ‘catch onto’’ or groove with their music.

The ways a song can vary are almost infinite, so each time we meet a new person who is playing their own music at their own rhythm and tempo, we can experience how our music harmonises with theirs. We feel others music instantly, at first sight or first sound; we feel whether the person feels resonant to us, whether we feel attracted or repelled to that person, whether they groove with and fit into our own symphony.

We can also recognise people when they are being true to their own vibration and are playing it without disguise or added notes; without pretence or faking it.

As we are music, we have to work out how to play our theme. What is your key note, what is your resonant chord? What tempos, what rhythms do you move to? What is your soul song? Perhaps some people have more complicated melodies, and it might be harder for them to find their groove and play it to its highest potential. Maybe some people find it easier to play what other people want to hear from them, as they have not yet discovered their own music.

Our main purpose in life is to syncopate, to tune into, these resonant vibrations behind creation and our own soul song. When we get stuck in our life, attached or caught in a negative pattern, it is because one or more of our chords, notes or sounds is not being heard, because it is frozen within us, a frozen music that is not alive, not expressed. Here, we are not tuning into our resonance, our truth.

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